Testament was an American comic book series written by Douglas Rushkoff with art and covers by Liam Sharp. It was published from February 2006 to March 2008 under DC Comics’ Vertigo imprint.
There are several key themes to Testament. The story takes place simultaneously in the near future and the biblical past to illustrate the most prominent theme: that history repeats itself. This is done by juxtaposing the two timelines, the purpose of which seems to be to illustrate that religion is a continually evolving, living story that is being written by how people, and specifically the protagonists, live their daily lives. Other themes include increasing numbers of fascist governments, human rights, technology, and information economics in the form of a global currency, manna.
In the near future grad student George McFadden and his conscientious objector friends fight against the new RFID-based universal draft by attempting to access the collective unconscious through an experimental combination of the hallucinogenic preparation ayahuasca and shared sensory deprivation tank experiences. The near future story is mirrored through the history-repeats-itself idea as biblical narrative based on Torah, various Jewish and Christian apocrypha, and elements of other mythologies. One major departure from Judeo-Christian tradition in Testament is the separation of The One True God into two entities who in the story are represented by the God Elijah, who represents the Abrahamic One True God, and a new entity of the author’s invention which he calls The One True God. Much of the action in the story is driven by situations and characters being manipulated by the various gods as they battle for dominion over existence. Post by Alexander McFadden.
A comic book or comicbook, also called comic magazine or simply comic, is a publication, first popularized in the United States, of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by brief descriptive prose and written narrative, usually dialog contained in word balloons emblematic of the comics art form. The first comic book appeared in the United States in 1933 and was a reprinting of earlier newspaper comic strips which had established many of the story-telling devices used in comics. The term comic book arose because the first comic book reprinted humor comic strips. Despite their name, comic books are not necessarily humorous in tone—modern comic books tell stories in many genres.
Since the introduction of the comic book format in 1933 with the publication of Famous Funnies, the United States has produced the most titles, along with British comics and Japanese manga, in terms of quantity of titles.
Cultural historians divide the career of the comic book in the U.S. into several ages or historical eras:
Comic book historians continue to debate the exact boundaries of these eras, but they have come to an agreement, the terms for which originated in the fan press. Comics as a print medium have existed in America since the printing of The Adventures of Obadiah Oldbuck in 1842 in hardcover—making it the first known American prototype comic book. The introduction of Jerry Siegel and Joe Shuster’s Superman in 1938 turned comic books into a major industry, and is the start of the Golden Age of comics. Historians have proposed several names for the Age before Superman, most commonly dubbing it the Platinum Age.
While the Platinum Age saw the first use of the term “comic book” (The Yellow Kid in McFadden’s Flats (1897)), the first known full-color comic (The Blackberries (1901)), and the first monthly comic book (Comics Monthly (1922)), it was not until the Golden Age that the archetype of the superhero would originate..
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